Zhuoyu Zhang (b. 2000, China) is a new media artist based in New York. Informed by critical media theory and digital poetics, her work navigates the entangled relationships between identity, control, and mediated perception in today’s media-saturated society. Working across video installation, interactive storytelling, and algorithmic systems, Zhang draws from internet subcultures, personal archives, and speculative fiction to construct intimate yet dissonant environments reflecting on surveillance, disembodiment, and affective labor within visual regimes shaped by data infrastructures.Zhang holds a BFA in Visual Communication from the School of the Art Institute of Chicago and is currently pursuing an MFA in Design and Technology at Parsons School of Design. Her work has been presented in exhibitions such as The Enfleshment at Grace Exhibition Space (New York) and Quivering Bodies and Grand Rising at the School of the Art Institute of Chicago, as well as in film festivals including the China Golden Rooster and Hundred Flowers Film Festival, where the short film Far Above the Starry Sky, to which she contributed, was screened and nominated. She has been featured in digital residency programs and editorial platforms such as Public Access Memories, Al-Tiba9 Interviews, and Digital America. Her collaborations include working with the German Aerospace Center and Köln International School of Design on an interactive installation translating quantum concepts into embodied, sensorial experiences.
张卓煜（b.2000）是一位常驻纽约的新媒体艺术家。其创作深受批判性媒介理论与数字诗学的启发，关注在当今媒介高度饱和的社会中，身份、控制与媒介化感知之间的复杂纠葛。她的实践跨越影像装置、互动叙事与算法系统，汲取互联网亚文化、个人档案与推测性小说等元素，营造既亲密又充满张力的环境，以反思在数据基础设施塑造下的视觉体系中，监控、离身现象与情绪劳动的处境。